What’s it like to interview one of the biggest rock stars on the planet about her new winery where she’s actually the winemaker?
Which food and wine pairing rules are complete bunk? And which actually have merit?
Who are the most interesting people and places in the world of wine?
That’s exactly what our guest on the Sunday Sipper Club will reveal to us this evening.
Our guest this evening has been The San Francisco Chronicle’s wine critic since 2015, covering California wine, beer and spirits. Previously she was an assistant editor at Wine Spectator magazine in New York. She has worked harvests in Napa Valley and Mendoza, Argentina, and she studied English literature at the prestigious Smith College in Massachusetts.
And she joins me live now from her home in San Francisco: Welcome to the Sunday Sipper Club Esther Mobley!
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Esther Mobley is a staff writer at the San Francisco Chronicle. She writes primarily about wine, and her beat also includes beer, spirits, drinking culture and, occasionally, doughnuts. In her regular Drink Up column, she reviews Bay Area bars.
Before joining The Chronicle, Mobley was an assistant editor at Wine Spectator magazine in New York. She has worked two harvests, in Napa, California and Mendoza, Argentina. She studied English literature at Smith College.
Connect with Esther:
You’ve had a passion for writing from an early age, and your college admissions essay was published in the New York Times … why was that? How did it feel?
Did you ever think about working in the wine industry versus writing about it?
Do you consider yourself a writer who enjoys wine, or a wine lover who writes. Did you think about other genres or specialties of writing?
You can read all 58 comments here on Facebook:
What drew you to wine in the first place? What was the exact moment? Where were you? How did it feel?
What draws you to storytelling, beyond digging deep and getting to know people below their surface statements?
How is this like the stories in The New Yorker?
How do you get beyond cliches and press release language from the people you interview?
Why is the car such a great place to interview?
You spent three years working at the Wine Spectator in New York City. What surprised you most about working for the magazine? Something specific rather than general, ie: they weren’t snobby even though they were at the top of the wine game … perhaps there is a specific anecdote to illustrate?
How has Californian wine changed since you started writing?
Where is it going? What are you worried about? What’s the silver lining or potential positive development? What has to happen for that to manifest?
Tell us about a Californian winemaker you met recently named Alecia Moore. How did you find out about her?
Who is she? What training? Where is the vineyard?
Were you skeptical about another celeb wine?
Why didn’t she put her own name on the label, make a rose and call it a day?
Two Wolves parable – an old Cherokee chief was teaching his grandson about life…
“A fight is going on inside me,” he said to the boy. It is a terrible fight and it is between two wolves.”
“One is evil – he is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, self-doubt, and ego.”
“The other is good – he is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion, and faith.”
“This same fight is going on inside you – and inside every other person, too.”
The grandson thought about it for a minute and then asked his grandfather, “Which wolf will win?”
The old chief simply replied, “The one you feed.”
Do you think Alecia is torn between two identities?
What did you think of her wines?
What motivates Alecia to make such off-beat, non-commercial wines?
Her wines launched in November and sold out in 24 hours: do you think that was the celebrity bump?
Now let’s look at another California wine named after indigenous people, Meiomi, which means Wappo or coastal. Yet the irony is, when Joe Wagner sold Meoimi for $315 million to the giant conglomerate Constellation Brands, which also used to be Arterra Wines in Canada, he did so without any assets, no vineyard, just the brand alone, which produces almost a million cases a year. With all the talk about how wine is so tied to the vineyard, a product of place, what was your opinion of this rootless brand?
Super low production wine is hipster — why do you often mention brands that have larger productions? More readers can buy it.
Let’s chat about the wine pairing seminar that you and your colleague at the Chronicle gave at a wine writers seminar in 2018. What are the greatest myths when it comes to matching food and wine?
What’s the weird pairing you tasted and loved?
Are there any pairings to avoid?
What were the consequences or changes, if any, in the wine industry, or for the people involved based on one of your stories?